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The little suspicion of blarney trips softly and naturally from Mona's tongue. She doesn't smile as she speaks, but looks with eyes full of flattering conviction at the stout but comely duchess. And in truth it may be that in Mona's eyes she is sweet to look at, in that she has been kind and tender towards her in her manner. She sighs. There is pathos and sweetness and tenderness in every line of her face, and much sadness. Her lips are slightly parted, "her eyes are homes of silent prayer." Paul, watching her, feels as though he is in the presence of some gentle saint, sent for a space to comfort sinful earth. "Yes,—and miserable! you forget to add that. Now everything seems squared. In the grave neither grief nor revenge can find a place. And as for you, what have you to do with my fate?—nothing. What should you not return to me my own? and why should I not die by the weapon I had dared to level against yourself? There is a justice in it that smacks of Sadlers' Wells.".
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Conrad
"I have indeed misunderstood you in many ways." This is unkind, and the emphasis makes it even more so. "Norah, if the butter is finished, you can go and feed the calves." There is a business-like air about her whole manner eminently disheartening to a lover out of court. "Now carry him over the bridge and put him down there, and he must go home, whether he likes it or not," goes on Mona to her warrior, whereupon that renowned person, armed with the shrieking turkey, crosses the bridge. Having gained the other side, he places the angry bird on its mother earth, and with a final and almost tender "Shoo!" sends him scuttling along to the farmyard in the distance, where, no doubt, he is received either with open arms and kisses, or with a sounding "spank," as our American cousins would say, by his terrified mamma. THE BLACKFEET CREATION CHAPTER XXXI.For a second Mona's courage fails her, and then it returns with threefold force. In truth, she is nearer death at this moment than she herself quite knows..
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